Curiosity Care


Hello wonderful pals!

We all get stuck sometimes. It's a pretty common ailment of making something. Putting your heart and soul into a project, whatever it is, can be super rewarding and satisfying but also super tiring and scary. It can take all my brain power just to write a few words, because getting started is, at least to me, the hardest bit.

I've been stuck more than once while writing Oh Brother but luckily I've also been able to get unstuck too. Sometimes with help from other people and sometimes by just waiting around for my brain to let me back in on the project. And the bigger the project, the more chances you have to get stuck!

Of course once you're on a roll, then it feels good. You're working hard everyday, making great headway, nothing can stop you and then, BAM. You're stuck again. On a plot point or style choice or something stupid that doesn't even mean anything but you just can't get it out of your head.

I'm currently writing part three of my book, and the written script part of the process (before I start digging into the drawings) is the hardest for me. For a few months now I've been in this limbo space, flipping between productivity and slump. Seeing how I was feeling, a good friend of mine recommended and gifted me a book. This book was: 

I have been enjoying reading Elizabeth Gilbert's views on creativity and I would also recommend this book for any creative thinking person (or any person tbh). I was particularly grabbed by her writings about curiosity. Gilbert writes that curiosity is accessible to everyone, contrasting it to passion (which feels more specific, unattainable and somewhere over there). Curiosity, however, says Gilbert, only asks one question: "Is there anything you're interested in?" 

And Gilbert's thoughts about curiosity were able to capture some of the feelings that have been floating around my brain and helped me to bring them to the forefront and crystallise them.

So I've been thinking that curiosity care is something that we all need to start doing. Let our curiosity take us to places we didn't know that we were interested in. Give it the time to stare in wide-eyed wonder, gasp at new knowledge and walk down a different path. It may feel like you're taking the long road to get back to your project, and you probably are, but it's going to be a pretty great trip and if you don't take it maybe you won't get back to your project at all. 

Being curious can come in many different shapes and forms. You don't have to be learning about something new to be curious about the world. And a lot of my curiosity comes from stopping and thinking about something I already know pretty well and trying to think about it in a different way. 

A lot of the time I just want to get my brain out of all the To Do lists I've written and just thinking about anything else. So here are a few things I use to help me get my brain cogs off lists and relax enough to let the world in. 

1. Tea

Yes, yes, we all know that I, someone who categorises and labels her dried leafy mixes into individual specially bought plastic containers, really likes tea. But I think sometimes I forget some of the reasons why I really like tea. I love the waiting for the kettle to boil, picking out the right tea for the moment, picking out the right cup for your feels, breathing in the steam of the hot water, smelling your tea choice and sitting with it. Not doing anything but sitting with your tea. 

Picking the right tea for the moment can be hard but I think it's important. I get easily stuck on whichever tea I normally choose to drink in the morning, with my lunch or just before bed. So one thing I like to do when I'm in a slump is to try different teas at the 'wrong' time of day. Here are some of the teas I have made and their magical properties. 

2. A different point of view

I have found that sitting in chairs all day can be pretty tiring, particularly if you are staring at a screen all day too. So if I don't have time to leave the studio, I like to eat my lunch on the ground by my desk. I enjoy seeing the world from a view I spent a lot of my childhood, well, viewing. Also lying on the ground and looking up to the ceiling and just letting your mind wander can be really great. I find it really hard to let my mind wander on anything other than making lists of things I need to get done, but I do manage it sometimes.  

3. Walking

Walking has been one of the biggest things in the past 12 months that I've discovered really helps me to think through tough spots in stories or mental blocks. A lot of my a-ha moments are when I'm walking or swimming laps. This is because if I do it long enough I get over that natural brain reaction of making lists in my head and move onto other things that must have been lurking in there but have been hidden by all those To Do lists. 

I personally like to look up at the skyline and the clouds when walking. The sky is endlessly fascinating to me. I will never be able to capture in my illustration a cloud the way I see it in real life, and that is so intriguing and mysterious to me, like a 40s noir film. 

4. Reading

Something that I've been trying get myself back into is reading more. I know I read a bit but not as much as I would like or think I should. I often think that if I'm reading I could be drawing instead. But you see it's actually okay to consume things too, you don't just have to create! Crazy, I know, but it's something that I'm trying to come to terms with. And if I don't consume other media it won't be able to inform my own work and help me to grow as an artist. So when I'm feeling like my brain is sludge and writing just one more email will make me cry or everything I've been drawing lately has been coming out just not quite that minimum level I'm used to, I'm trying to get myself to read a book or a comic. And then I'm working on not feeling guilty about it.

5. Drawing

The last thing I do when I'm in a bit of a rut is draw stuff I know I can draw. Stuff I like. Usually for me this means drawing my bag and all of its contents. But it can extend to drawing ladies in styles of clothes I would like to trial wearing. Or skulls. I quite like drawing skulls. This gives me the feeling that I've actually drawn something that day and it usually doesn't look terrible. 

Even though I think taking a break or letting your curiosity take over for a while is good and necessary, my personal little motto, that I say to myself at least once a day, is:

The only thing that will make you feel better about the work is doing the work.

The only times I have felt like I'm on top of my project, that I'm making actually physical, tangible headway, is when I've done something. And it doesn't even have to be a big bit of something. In fact, I'm a big fan of the chip away every day. But it's when I do something that I feel the best. 

ANYWAY. This post is waaaaay too long so I will stop (plus this post has been in my drafts for months and I've already had to write and re-write it a few times. It's time for me to cut it off and focus on some new blog posts).

Have a stellar dream tonight. One that you remember really clearly the next day. One that you can still talk about in years to come. 

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For The Love Of Editing


Hello pals!  

As long promised, I have here a post about the editing process I've been using to work through story problems in my graphic novel. It's pretty much the same process I was introduced to at the Comic Art Workshop residency in 2015, which I completely fell in love with and have adapted into my own writing practice. 

I never thought I would actually look forward to and enjoy receiving feedback on any of my creative practices (I studied classical percussion at Uni and was terrible at getting feedback on my musical performances; I took everything personally and couldn't separate myself from the performance), but this method of editing has really helped me to embrace areas in my story that could be improved and not feel like I'm a failure of a human because my story needs some help from my friends.

Never underestimate the power of outside eyes! For example. I'd not noticed that I had never mentioned whether my brother or I were the older sibling, because it was something that I knew so well I'd completely forgotten that any reader who wasn't a good friend or a family member wouldn't know. This meant that people going into the story would make assumptions about which of us was older (it's me, just so you know). The upshot of this was that the reader, not knowing this information, would assume that I was whichever sibling they were (if they were older I was the older sibling too and if they were younger I was obviously the younger sibling). It was great that the readers would identify so heavily with me that they placed themselves in my position but I really needed them to know that I was the older sibling because it's important to how I tell my stories. 

So this is sort of a step-by-step guide about how to use the editing process I do (with a few personal interjects from my cartoon self).  

For the love of editing 3_edit_Colour_Flat.jpg

I hope that made sense and was hopefully some use to you and your creating!

Have a wonderful day, whichever day it might be.

Gx

My blog is brought to you by the help of my Patreon Pals. If you want to become a George Rex Patreon Pal, then just jump to my Patreon page here. 

 

George Rex Comics mini-documentary


Hello friends!

So I know I promised you a post about my manuscript editing process this week, but I'm still working on it and I'd like it to be the best it can be. So in the meantime I would really like to share with you a pretty rad little documentary. Some film students recently asked me to be the subject of a mini-doco and this is the result. I think the guys that made it (see credits at the end for a full list of those wonderful people) did a great job at reining in my tendency to blather when I talk about comics (I just get so darned excited). 

Anyway, I'll let you just enjoy and watch. 

That's all for this week, guys. I hope you liked the vid (I was really chuffed to be a part of it). 

Next week, I promise a post about editing. I'm really excited to share that process with you because I want to make Oh Brother the best book I can, and I think the process of nutting out the problems in my book with other humans really helps me get towards that great book.

Have a sweet rest of the week. May your skies be mildly cloudy so you have interesting things to look at above you.

Gxx

My blog is brought to you by the help of my Patreon Pals. If you want to become a George Rex Patreon Pal, then just jump to my Patreon page here. 

Sick Day


Hello lovely humans, 

I'm sorry I missed last week's post. I've been trying to keep on top of a few things (the book, a zine fair, commissions, life, the To Read pile), as well as battling with a head cold. I usually try to push through, but with a few big events coming up I wanted to be as well as possible - so I took to the couch, sat in front of a pile of oranges and worked my way through a few comics I've been wanting to read for a while. 

That said, I got bored pretty quick and my sick brain triggered memories of being sick at home and how Rob would deal with getting a cold. 

I'm a terrible daughter! 

Anyway, I best get back to the drawing board. Next week I'll talk about the editing process I go through with my comics colleagues once I've finished the draft pencils of a section. 

Until we meet again, I hope your head remains clear and you remember that famous quote perfectly just in time for that quiz night. 

Gxx

My blog is brought to you by the help of my Patreon Pals. If you want to become a George Rex Patreon Pal, then just jump to my Patreon page here. 

Just quit your day job


I've had a couple of weeks in the studio now and I'm slowly settling into the idea of supporting myself with my art. It still feels pretty scary when I think too much about being able to pay the rent. But I don't want that to be what I think. I want to think about the comics I can create and the improvements I can make on my drawing skills and the story-writing skills I can learn by having the time to write more. 

So I'd better get going and make me some comics. 

Gx

The draft


This week I'm giving you guys a look at some of the stories from part one of Oh Brother (draft version) that I finished a couple of months ago. I've picked three short stories that I think stand alone okay for you to have a little look at. These stories are currently somewhere between detailed thumbnails and loose pencils (I haven't really decided what to call it other than Not Final Art). 

Story one. From near the start of part one we have How to Explain Rob. This is fairly self-explanatory. Before this story we have a few examples of what it's like to live with Rob. This is the first time in the book that you see Rob and Gina interacting with other kids. 

Story Two. The Diagnosis. As it sounds, this story is about my parents finding out about Rob's diagnosis. Rob was two when he was diagnosed with autism (I would have been four). We also jump forward in time to see my reaction to their story of Rob's initial diagnosis.

And story three. As part one is called Communication, most of the stories and anecdotes are about my and my family's attempts at communicating with Rob. In The Mist I talk about the more ethereal feelings around having a brother with autism. 

Those are the three samples I thought would work well displaced from their home in the book. I hope I picked the right ones.

If you want to read more of the draft and live in Adelaide, you can! I'll be putting on an end-of-year Oh Brother wrap-up show, exhibiting some of the diagrammatic illustrations I've done during the year, the sketchbooks with notes and illustrations, and the full comics manuscript draft for people to read and flick through. I've also put together a mini-comic sampler of some of my favourite Rob comics and background material. For more info about the event, click here.

Write you next week. 

Gxx

In which our hero gets a new sketchbook


I hope you liked this week's post! I ended up buying the fancy Moleskine - in fact I drew this comic in it! What are your favourite ways to get your ideas down? Do you prefer sketchbooks or individual sheets of paper or digital? What's your favourite sketchbook to use?

Have a lovely rest of the week if you can!

Gx

All those other ideas


This week I have just a short little comic for you about some of the other ideas that are floating around inside my head. 

Sorry, it's kind of an abrupt end to this week's blog comic. A lot of my time is being taken up with prep work for my very first real-life scary-big comic convention (more on that later).

Hopefully one day I'll get around to writing all these stories I have in my head. I would love to illustrate science and non-fiction stories as well as a ridiculous adventure/fantasy tome. 

What kind of stories do you write?

Gxx

What is a 'Patreon'? - Special announcement


Hello hello hello!

SO GUYS! I have some news. I have started myself a Patreon account. For those who don't know what a Patreon account is let me explain!

A Patreon account is kind of like a Kickstarter, where you donate money to an artist or group working on a one off project (for example funding the publication of a comic book or to produce a podcast or board-game), and receive a reward (how rad the reward will depend on how many dollars you donate). 

Patron has this same donation // reward system except instead of a one off payment you make a monthly payment, kind of like a subscription, and you get a monthly reward! Of course you can unsubscribe at anytime and you can just do a one off payment (then unsubscribe the next month) if you want to help me out but can't commit to a monthly deal. 

I want to keep working on my book about growing up with a brother with autism (and also to keep drawing silly little autobio comics). If you’ve been enjoying these blog posts and can spare even $1 a month and help me out by donating (and get yourself some sweet rewards as well as my everlasting gratitude) I would be over the moon!

If you’re keen to become a George Rex Comics Patreon Member, just follow this link to my Patreon page and then click on the orangey/red 'Become a patron' button and pick your donation level. Any and all dollars are appreciated, literally every dollar counts. 

If you can't/don't want to donate for whatever reason - I understand! I'll still be making comics and writing this blog (I don't think I'll ever be able to stop) and you’ll still be able to see them. Patron members will just be able to see them a little earlier than everyone else and will get a few extra treats (like Badges sent to them through the post or special extra short comics just for them). 

If I can get some regular Patreon support then I'll be able to focus on my art and get more of it out to you wonderful people. And for all of you wonderful people who have already read about this on my Facebook and Tiny Letter I'm sorry you've been hearing about it from so many different angles. I promise that I won't be talking about it for a while now. 

Thanks for reading, back to normal, once a week posting now. I really appreciate you guys just reading my blog, it's a pretty awesome thing to have people read your blog and take the time to respond and comment on what I write. 

You guys are great. 

xx

Self portraits


The other day I was asked to write a bio for a comics piece I did that was about to be published and, as is customary, provide an accompanying self portrait. I searched my self portrait files for an appropriate illustration (I rarely provide an actual photograph because comics) and as I've been writing autobio comics for pretty much my entire cartooning life I thought it would be easy to find something that would work. But to my dismay I couldn't find one that really represented how I was currently drawing. Also I'd just gotten a haircut and now sported a wicked fringe. So I quickly drew up a headshot of myself and sent it off. 

After searching through those self portrait pictures I felt a burst of nostalgia towards all those styles that I had tried out, embodied for a while and then moved on to the next George Rex look. Like a hermit crab finding the right shell.  

So I thought I'd share with you a little timeline of my cartoon selves from yesteryear leading up to just this week. 

Let's start with my most recent self-portrait and a general overview of some of my hairstyles (and then jump back to the less great ones of my teen years and move chronologically).

This is my most recent self portrait. Still having trouble drawing my killer fringe. 

This is my most recent self portrait. Still having trouble drawing my killer fringe. 

Below is the hair guide I originally drew up for my Oh Brother graphic novel. Even though I only drew it last year I already find the illustration alien and strange compared to how I'm working now. Like reading an old diary entry. 

Next up is the earliest self-portrait I could find, from circa 2005 (I would have been 14-y-o). This was taken from the one of the comics I made in high school about the music teachers, in which I would constantly play with reality and breaking the fourth wall. Note: This was the height of my Goon Show and Monty Python fandom. 

Below is me from an early 2009 (I would have been 18) comic zine called 'A Week of Perfect Conversations'. It was all about the semi-realistic adventures of me and my friend Kyra (who was travelling around the world on a gap year post high school graduation). This comic was drawn coming out of my Jhonen Vasquez (Squee, Invader Zim) phase and for some reason I picked up this habit of drawing eyes coming off the side of people's heads and drawing thin lines in place of actual backgrounds. Also I apparently couldn't decide between all caps or lower case for my speech bubbles. Note: This 'joke' doesn't make much more sense when you read the rest of the comic.   

The self-involved little portrait below is, unfortunately, the most whiny teenager portrait ever. I think it would be from about 2009/2010. I almost didn't include it in this post because it's a pretty embarrassing insight into my brain from when I was 18/19, but I thought it was good example of how I've been using labels and arrows and words as part of my portraits for ages. It also has this almost side note about how worried I was about my jaw reconstruction that brings me straight back to that time after I'd had my jaw partially removed (due to cancer) and before I knew that my jaw was going to grow back after the surgery (like magic). It was a weird time of relief for the most part but with just a hint of uncertainty. 

These guys below were drawn about 2011 (I would've been 20). I had been dabbling in watercolours and started reading a broader range of indie comics and art books. Even though I'll never draw like this again I really like these portraits because it's when I started to really love drawing what I was wearing and when I started to buy and wear clothes that were easy to draw. It's about this time that subconsciously I knew that I was an autobio cartoonist (even if I wished I could write like Terry Pratchett). 

Say Hello to 2012 (21-y-o) Rex. This was when I'd first started using the name George Rex for my comics and I haven't looked back. Previous comic nom de plumes include: Georgina Chadderton (actual name), Gee-Nah (phonetic version of nickname), and Bent Drummer Comics (foolish teen idea of a great name). This picture and the picture below it are products of my love of Brisbane artist Lauren Carney. I was (still am) infatuated by her work. Note: I still own the dress that I'm wearing in this picture. 

This here (also 2012) is from my poster for my final musical recital for Uni. I studied Bachelor of Music Performance (classical percussion was my instrument) and for my final recital I, of course, illustrated my own poster and comics program (containing all the info about the pieces I played) for those who attended the performance. This is a good example of how I used to use my Uni Pin felt tips (the pens I still use). I would draw the lines once, then draw them again slightly apart so there was gap between them and then colour in the gap in between the two lines. I also would not pencil - I would just throw ink straight down on the page, baby! I can't believe the kind of stuff I could just ink straight up. I wish I could capture that again. 

2013 brings us the year of the Muppet portraits. I went through a phase of drawing people as Muppets and using really cheap markers. Here's me looking boss with my favourite red jumper and pink & green hair. Note: you may have noticed that I occasionally wear glasses in my self portraits. That's because I need glasses for reading and if I am wearing my specs when I start drawing I generally end up just drawing them on. Sometime I add them to a portrait even if I'm not wearing them because I just like drawing pictures. 

Between 2013 and 2014 I started experimenting with lots of things to do with my art, including: using blue pencils before inking, colouring my comics digitally, writing longer & longer form works and trying out one colour instead of realistic colours. I also started working my first full-time office job which was great but even great office jobs can make you sigh a little sometimes. 

Later in the 2014 year I decided to start a FB page dedicated to my comics work (so I could stop bothering my pals with it in my normal feed). But I quickly started getting some really lovely feedback that encouraged me to keep working on my work. This is the thank you picture I drew for getting to 200 likes on my comics FB page. Apparently I still hadn't nailed the whole skin colour thing. Note: Plz do not look at the hands. 

2015 was a pretty radical year for me and a big turning point re: my comics. These three portraits of me reading were originally drawn for an online and print magazine, Scenstr. Note: I've finally found those nice clean lines that I love so much. 

I started dabbling with different pens and coloured pencils. I lasted about a month before I reverted back to my beloved Uni Pins, although I would love to get more practice in coloured pencil techniques. Note: I still regularly wear this outfit. 

This is the portrait that I sent in as part of the Comic Art Workshop residency I was lucky enough to be a part of. Here we start seeing the inclusion of banners and objects around the portrait. The workshop was a huge turning point in my comics. The residency helped me to think about how to approach long-form comics and I met heaps of lovely people that I probably would've been too scared to talk to otherwise. 

A lot of things change in my various portraits, two of which are my hair and my nose. I'm always dreaming up new hairstyles and cuts and colours that I think would be best for me, which means having to learn to redraw myself every time I get a haircut. My nose is probably the only thing on my face I've never been able to quite capture to my satisfaction. I have inherited my father's long pointy nose (my only consolation is it also belonged to my grandmother) which has been pointed out to me since I was v. young. It has only been in the past couple of years that I've slowly started drawing it more accurately. 

2016 - this year - I am now 25 (gah). Something that I have started doing since the Comic Art Workshop is drawing full eyes instead of just dots (see most of my previous pictures from 2013-2015). This was a suggestion that I took to heart and I'm super thankful for it. I can express so much more using these super cheesy round eyes. I can look scared or think about something or roll my eyes so much more effectively. 

My face shape is another thing that is constantly changing, some days it's square, some days it's round, some days it looks like a jelly bean. 

My body proportions are getting heaps better too. Although who the heck can draw feet? If so - give me all the tips!

One thing that doesn't change in any of these drawings is the polite smattering of freckles that I draw on my cheeks. I've never had heaps of freckles but it's always something I've been proud of so I'll probably always draw myself with freckles. 

My body will alway be a-changing. And sometimes I'm okay with that and sometimes I'm not. I find myself constantly looking in mirrors and looking at my body figuring out if I need to be changing how I draw myself or not. I sometimes struggle with my body image, like a lot of humans out there, and constantly drawing myself and associating my personal image with a 'more perfect' cartoon version can sometimes bring me down. But for the most part I love my body because it's a bloody trooper. 

I think that's enough for this narcissistic post. Here's a version of me I quite like. It's not really my normal style but I think that's why I like it. 

Gina out xx

 

OH! I didn't even get to talk about my ears! Well, basically, they change all the time too. My current favourite way to draw them is as semi-circles on the side of the head with little crosses in them to indicate the auditory canal.